"The mission of the African American Visual Artists Database is to establish a free public access record of the historical and ongoing contribution of artists of African descent to the visual arts, and to provide a visual and textual informational resource for non-profit educational use with unrestricted free access to all members of the global community."
"Library of the Printed Web is a physical archive devoted to web-to-print artists’ books, zines and other printout matter. Its mission is to provide an in-depth view of network culture, artistic practice, and the printed page. The collection is an important resource for the study of print-based experimental publishing in the early 21st century. The collection was acquired by The Museum of Modern Art Library in January 2017, where it is fully accessible for viewing and research (by appointment)."--'About' page.
"The Journal of Art Historiography exists to support and promote the study of the history and practice of art historical writing. The historiography of art has been strongly influenced by traditions inaugurated by Giorgio Vasari, Winckelmann and German academics of the nineteenth and early twentieth centuries. Consequent to the expansion of universities, museums and galleries, the field has evolved to include areas outside of its traditional boundaries."--Mission statement.
"The aim of the online exhibition archive is to create a common knowledge and discourse around the history of various curatorial and artistic practices within the Eastern-European art scenes. Our goal is to present an international network of professional relationships, documents of exhibitions, events, and art spaces instead of merely displaying artworks. We also attempt to propose a methodology with which documents and factual information, as well as legends and cults can be researched, processed, and shared. We are focusing on the period determined by different versions of state-socialisms and capitalisms, political control of official art events, and the development of a parallel culture that incorporated a network of very heterogeneous dissident positions defined on the level of ideologies, art movements, or life-styles. The time-frame of the archive is not set with exact dates as they are slightly different in every country. We wish to trace and introduce new methodologies that can incorporate the particularities of the art events realized in these specific circumstances into the international discourses around exhibition theories."--'About' page.
"An open-access journal devoted to progressive scholarship on medieval art.
Different Visions aims for inclusive publishing and welcomes a variety of approaches and topics reflecting the diversity of medieval visual and material culture. It publishes work that engages with all forms of critical theory, including Premodern Critical Race Studies, Gender Studies, the global Middle Ages, and Medievalism. The journal also seeks integrated, socially-engaged, or pedagogical projects that examine the role of medieval visual culture in our contemporary world. In addition, the journal welcomes projects that work at the intersection of medieval art history and the digital humanities. Unlike a traditional print journal, the e-format of Different Visions accommodates dynamic and interactive new media. We invite submissions that include digital content, including but not limited to film and audio clips, three-dimensional models, and gigapixel and spherical panoramas."--About page.
Educational website on the work of Dorothea Tanning, conceived by the Dorothea Tanning Foundation in New York City. Contains bibliographies of Tanning's writings and secondary sources on her work, a list of her exhibitions, and a chronology of images of her artworks.
"This site is an index to Avalanche, an artist journal published in New York City from 1970-1976 by Willoughby Sharp and Liza Béar. Thirteen issues were published, one through eight in magazine format (Avalanche Magazine), nine through thirteen in tabloid newspaper format (Avalanche Newspaper).
Avalanche is closely associated with post-minimalist, post-studio conceptual artists in the United States and Europe. The journal is notable for its insistence in letting artists speak on behalf of their work and is replete with artist interviews conducted by Sharp and/or Béar, documentation of performances, and pieces created for the magazine. Avalanche is an important primary source for the study of the conceptual art scene in New York in the early 1970s. For the authoritative history of Avalanche Magazine, read Béar and Sharp’s Early History of Avalanche (London: Chelsea Space, 2005) which covers the the period when the magazine was being developed through the first two years of publication (1968-1972)."--About page.
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This web site deals with any and all aspects of the general topic "animals in the Middle Ages", though there is an emphasis on the manuscript tradition, particularly of the bestiaries, and mostly in western Europe. The subject is vast, so this a large site, with well over 3000 pages, and perhaps the best way to explore it is to just wander around." --Introduction page.
Archival web project by Mindy Seu, consisting of all the 14 issues of Avant Garde Magazine (1968-1971). Website contains introduction by Alexander Tochilovsky, curator of the Herb Lubalin Study Center at the Cooper Union.
"Marking the Museum’s entrance into online publishing, Altered States: Etching in Late 19th-Century Paris combines a scholarly collection of essays with a video glossary of printmaking techniques. The online publication compliments the exhibition by the same name that was on view at the RISD Museum June 30 –December 3, 2017.
In late 19th-century Paris, the printmaking process of etching underwent a revolutionary transformation. At a time when prints were usually made as copies of paintings rather than as original works of art, a revival of interest in etching led to greater knowledge of technique, allowing artists to experiment with subject matter and process more than ever before. The publication focuses on the creativity and experimentation that proliferated in these years, during and after etching’s revival, and the centrality in this important shift."
"The Aphra Behn Society is dedicated to encouraging and advancing research that focuses on issues of gender and/or women's role in the arts of early modern culture, circa 1660-1830. Through its newsletter, website, and biannual meeting, the Aphra Behn Society seeks to promote an exchange of information and ideas among members of the various disciplines engaged in related research."
