"The Journal of Art Historiography exists to support and promote the study of the history and practice of art historical writing. The historiography of art has been strongly influenced by traditions inaugurated by Giorgio Vasari, Winckelmann and German academics of the nineteenth and early twentieth centuries. Consequent to the expansion of universities, museums and galleries, the field has evolved to include areas outside of its traditional boundaries."--Mission statement.
Website for the events relating to the Dada centennial held in Zurich in 2016. Includes articles published and a list of events held in the several years leading up to the event.
The Richard Diebenkorn catalogue raisonné documents all of the artist’s unique works known to the editors and the Foundation at the time of publication. Works that have emerged after publication are shown here in Addenda. Information unavailable to us at the time of publication, such as an unresolved collection credit at the time of our provenance research deadlines, is shown here in Revisions. The final dates for provenance research were: volume 2 (1933–1955), December 1, 2012; volume 3 (1955–1966), June 1, 2013; and volume 4 (1967–1992), December 1, 2013.