"The Daros Latinamerica Collection, based in Zurich, is one of the most comprehensive private collections of contemporary art from Latin America. It includes over one thousand works by more than a hundred artists, comprising both individual works and groups of works in all media and genres, created mainly from the 1960s to the present day [...] From 2006, the Daros Latinamerica Collection developed Casa Daros in Rio de Janeiro as a platform for Latin American art, staging thematic and monographic work shows from 2013 to 2015. More than 20 exhibitions as well as numerous performances, lectures, artist talks, workshops, and other artistic projects presented successfully the key elements of the collection in Brazil, while at the same time creating a lively dialogue on Latin American art in Latin America." --'About' page.
"The Journal of Art Historiography exists to support and promote the study of the history and practice of art historical writing. The historiography of art has been strongly influenced by traditions inaugurated by Giorgio Vasari, Winckelmann and German academics of the nineteenth and early twentieth centuries. Consequent to the expansion of universities, museums and galleries, the field has evolved to include areas outside of its traditional boundaries."--Mission statement.
"The aim of the online exhibition archive is to create a common knowledge and discourse around the history of various curatorial and artistic practices within the Eastern-European art scenes. Our goal is to present an international network of professional relationships, documents of exhibitions, events, and art spaces instead of merely displaying artworks. We also attempt to propose a methodology with which documents and factual information, as well as legends and cults can be researched, processed, and shared. We are focusing on the period determined by different versions of state-socialisms and capitalisms, political control of official art events, and the development of a parallel culture that incorporated a network of very heterogeneous dissident positions defined on the level of ideologies, art movements, or life-styles. The time-frame of the archive is not set with exact dates as they are slightly different in every country. We wish to trace and introduce new methodologies that can incorporate the particularities of the art events realized in these specific circumstances into the international discourses around exhibition theories."--'About' page.
