"The Journal of Art Historiography exists to support and promote the study of the history and practice of art historical writing. The historiography of art has been strongly influenced by traditions inaugurated by Giorgio Vasari, Winckelmann and German academics of the nineteenth and early twentieth centuries. Consequent to the expansion of universities, museums and galleries, the field has evolved to include areas outside of its traditional boundaries."--Mission statement.
"An open-access journal devoted to progressive scholarship on medieval art.
Different Visions aims for inclusive publishing and welcomes a variety of approaches and topics reflecting the diversity of medieval visual and material culture. It publishes work that engages with all forms of critical theory, including Premodern Critical Race Studies, Gender Studies, the global Middle Ages, and Medievalism. The journal also seeks integrated, socially-engaged, or pedagogical projects that examine the role of medieval visual culture in our contemporary world. In addition, the journal welcomes projects that work at the intersection of medieval art history and the digital humanities. Unlike a traditional print journal, the e-format of Different Visions accommodates dynamic and interactive new media. We invite submissions that include digital content, including but not limited to film and audio clips, three-dimensional models, and gigapixel and spherical panoramas."--About page.
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This web site deals with any and all aspects of the general topic "animals in the Middle Ages", though there is an emphasis on the manuscript tradition, particularly of the bestiaries, and mostly in western Europe. The subject is vast, so this a large site, with well over 3000 pages, and perhaps the best way to explore it is to just wander around." --Introduction page.
The Richard Diebenkorn catalogue raisonné documents all of the artist’s unique works known to the editors and the Foundation at the time of publication. Works that have emerged after publication are shown here in Addenda. Information unavailable to us at the time of publication, such as an unresolved collection credit at the time of our provenance research deadlines, is shown here in Revisions. The final dates for provenance research were: volume 2 (1933–1955), December 1, 2012; volume 3 (1955–1966), June 1, 2013; and volume 4 (1967–1992), December 1, 2013.
