"The Journal of Art Historiography exists to support and promote the study of the history and practice of art historical writing. The historiography of art has been strongly influenced by traditions inaugurated by Giorgio Vasari, Winckelmann and German academics of the nineteenth and early twentieth centuries. Consequent to the expansion of universities, museums and galleries, the field has evolved to include areas outside of its traditional boundaries."--Mission statement.
"Radical, majority QPOC collective making DIY research-based zines focusing on police violence: a history of the 2015 Baltimore Uprising told through teens' tweets; a 150-year compendium of cats attacking cops. Our zines draw from primary source documents and other archival materials, photocopied and bound by us and always sold pay-what-you-wish."-- 2019 Printed Matter Art Book Fair
The Richard Diebenkorn catalogue raisonné documents all of the artist’s unique works known to the editors and the Foundation at the time of publication. Works that have emerged after publication are shown here in Addenda. Information unavailable to us at the time of publication, such as an unresolved collection credit at the time of our provenance research deadlines, is shown here in Revisions. The final dates for provenance research were: volume 2 (1933–1955), December 1, 2012; volume 3 (1955–1966), June 1, 2013; and volume 4 (1967–1992), December 1, 2013.
